Whether performing as a duo or as a seven-piece band, groove and melody rise above all. Both sing with unique, recognizable voices; Weege marries smoky 50’s jazz with wild, arena-ready 70’s rock, while Slater overlays a smooth, melodic croon with laconic delivery and blue-collar beat poetry. Their infectious interplay will spread to the whole band, harkening back to a time when live shows could be spontaneous, energy-driven affairs. Slater’s genre-hopping guitar playing draws from screaming blues originals like Buddy Guy and Albert King, but with a twist of Bert Jansch and Wes Montgomery. The soloing doesn’t stop at his hand, though; everyone gets a beat to bark over the groove, and you can expect percussion breakdowns, scat-singing, and everything in between.

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